从取“景”到造“景”探索现代戏剧“境”的营造——以京剧藏戏《文成公主》为例
({{custom_author.role_cn}}), {{javascript:window.custom_author_cn_index++;}}Exploring the Construction of "Jing" (Stage Atmosphere) in Modern Theatre:From Framing "Scenery" to Constructing "Environment"——A Case Study of the Beijing-Tibetan Opera Princess Wencheng
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