
国产长叙事电影如何“走出去”——以“封神三部曲”前两部的特色叙事为例
How Can Domestic Long-Narrative Films “Go Global”——An Analysis of the Unique Narrative Strategies of the First Two Films of The Trilogy of Fengshen
{{custom_ref.label}} |
{{custom_citation.content}}
{{custom_citation.annotation}}
|
/
〈 |
|
〉 |